Chris Reed - ginger and proud

stuff I like, think, record or simply want to share 

Lovely @amnesty integration with @shazam: the medium (silence) is the message

What a fantastic use of Shazam, and an all-round great campaign from Amnesty, to emphasise silence/people not having a voice.

Each person who participated in a petition unlocked the next note of a song, which was nice enough.

But the clever bit was that if Shazam couldn't recognise a song, it served a page/message highlighting the cause of Valentina Rosendo - who also couldn't make herself heard either, and who Amnesty was campaigning on behalf of.

Very clever stuff (via digital buzz blog).

Filed under  //   Amnesty  

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Been ages since I posted anything. So here are some nice graphics

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Was pottering around ffffound.com and came across this tumblr. It's a fantastic array of trippy visuals. Kudos to all concerned (via dvdp.tumblr.com). Well worth a scroll down

Filed under  //   Art  

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Underworld - Cups

For some strange reason, I have only recently put all the old Underworld albums on iTunes. I've been missing out on some great music. Music which takes me back to some quality nights out plenty years ago. But music which still sounds so fresh.

Cups is an example. Almost Desert Island quality. If Dark + Long hadn't beaten it there...

(download)

Filed under  //   music   underworld  

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Nice CSR/realtime/QR code activity by eBay

OK, so it's a bit cheesy - but I like it. "No matter where you are this holiday season you can window-shop for good".

It's actually a decent use of QR codes to encourage spontanteous donations to charity - which I haven't seen before. Fair play to eBay (and presumably PayPal) for bringing it all to life...

Filed under  //   CSR   Paypal   eBay  

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September 11th, 10 years on

Every generation has its defining moments.

I thought the death of Princess Diana would be mine. But it wasn't.

I first heard that a plane had crashed into one of the Twin Towers during lunch in the BBC canteen. One of my Press Office colleagues received a text. We thought it was a joke at first, a ploy to get us to return to work before our hour was up. The next text confirmed that it wasn't.

We rushed back to room 2000, joining 20 or so others watching a bank of 16 or so TVs as pretty much one by one they started showing live coverage of the terrible events unfolding in New York. I was media relations manager for the BBC at the time, looking after BBC News in particular.

My first instinct was to check my New York-based brother in law was OK. By an incredible quirk of fate (or perhaps the credibility of dialing from the BBC Switchboard), I got through to his mobile straight away. He had been turfed off a subway train one stop away from the World Trades Centre (he worked next door), and was safe. I told him to head home, and immediately phoned his wife in Manhattan, who was blissfully unaware of what was unfolding, but grateful he was safe.

And then to work. A veritable hands on lesson crisis communications, working alongside some extremely talented people - in particular Jon Steel, Mark Ogle and Donald Steel.

First stop was the BBC Newsroom. The strangest office atmosphere I have ever known. On the one hand, a recognition of what was happening and the professional (and the geo-political) implications for everyone there. On the other, no-one had been able to get hold of their colleague Stephen Evans, who we all knew was in the WTC for a meeting. His (estranged I think) wife, was in that newsroom staring at the screens imagining the worst.

But after an hour or two (or maybe it was just a few minutes) he managed to make contact with the newsroom, and went on to do a fantastic reporting job (as he recounts here). The atmosphere changed. Professionalism took over.

Back in the Press Office, in the middle of watching the events unfold, over the next couple of days and beyond, classic crisis communications skills kicked in. I remember being incredibly busy, telling Fleet Street that he was safe, and then later on (or was it the next day?) trying to convince US media - the NY Times I think - that the BBC breaking from rolling news to show Eastenders was not a 'snub'. Thankfully, the story didn't run.

A couple of days later I was on duty at home and watching *that* Question Time. As the programme went on I saw massive trouble approaching. The audience turned viciously on Philip Lader, former US Ambassador, who was on the panel, drawing an explicit link between American foreign policy and the attacks. It was too soon for that. And Dimbleby couldn't calm them down.

I heard after the programme that there were tears in the Green Room. I don't know who's.

The first call I had was from the Express, of all papers. And over the next few hours dealt with the whole of Fleet Street. And then the full force of US media, as this crisis escalated up the BBC's chain of command. The story only calmed down a couple of days (?!) later when Greg Dyke, DG at the time (who hadn't watched it go out live), apologised.

And then we invaded Afghanistan.

In amongst trying to answer ridiculous questions (what hair spray were the female war correspondents using - they always looked immaculate?) Mark and I found ourselves defending Kate Adie in the Sun's front page story (for giving away the PM's flight plan), and then even more intense media criticism for John Simpson's now infamous 'liberation' of Kabul. (I'd spoken to him via Satellite Phone pretty much every day the week before, to get the background on his incredible Burkha-disguised journey into and across Afghanistan - I've got immense respect for him, was delighted he won awards for his reporting, but as I've since told him, he would have made my life much easier if he just hadn't 'liberated' Kabul so proudly.)

The world changed that day. Its a cliche but it's true. Those attacks have defined this period of history.

I'd recently come back from 8 months travelling round the world, so was already fairly international in outlook. But I became instantly more-so. I also learned huge amounts professionally, about how to deal with crises in a press office. Today, more than any day since, I'm conscious of both of those things.

But strangely enough, I'm more conscious that if my brother in law had been on an earlier train 10 years ago today, he may not be with us here now.

Filed under  //   BBC   September 11   crisis comms  

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Rap Music and riots - some convoluted thoughts, sparked by Chuck D...

Jay-Z and Kanye WestAs of midnight, thousands have logged on to iTunes to purchase Jay-Z and Kanye West’s highly anticipated collaboration album, Watch The Throne. And while the number of people forking over $15 bucks is rather surprising in the age of “free” music, it more surprising in these humbling economic times, when dropping $15 is somewhat of a luxury.

Under these circumstances, Watch The Throne is becoming much more than your standard who-ripped-the-track hip-hop conversation. Instead it’s becoming a dialogue on the increasing line between have and have-nots, a particular dichotomy that is illustrated well in hip-hop, where anthems on hustling to survive, have been largely replaced by hobnobbing in the Hamptons as the new measure of “swag.”

All this while the communities in which the culture was born are suffering some of the most troubling economic times in recent history. Last week, Public Enemy frontman Chuck D sent a message to Jay-Z and Kanye with his own rendition of the album’s first single, Otis. Chuck D’s version, “Know This or Notice,” chides their lavishness, asking the two to take notice of the financial and social conditions of the communities that their music represents.

I've been listening a lot to a couple of old albums recently. Pure co-incidence that I've re-discovered them as the riots have erupted, but I've developed a new perspective on them both because of them.

First up Dr Dre's 2001 - for some reason it wasn't on my Ipod and I searched out the CD when I moved a couple of weeks ago. It's a vicious, offensive and brilliant album. Not one I'd play to the kids.

And secondly, loads of stuff by Gil Scott Heron.

And while I've been listening to them, I've been trying to work out if there's anything in the music/culture which may have influenced the recent events.

Gil Scott Heron is overtly political - always has been. Dre always seemed to reflect the world he lived in. Yes, he glamorised and glorified it at the same time, but it wasn't political per se. But it undoubtedly legitimises a form of behaviour, and reinforces/normalises certain behaviours - as well as making it somewhat aspirational.

So when I saw this piece - and listened to Chuck D (who always has been political), I started to have a bit of sympathy with his perspective. The glorification of bling isn't a new thing, but it's more relevant than ever.

No answers. But It's certainly got me thinking about cause and effect...

Filed under  //   Chuck D   Jay Z   Kanye West   Riots   music  

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BILLY BRAGG - NEVER BUY THE SUN (Live)

I was listening/singing along to Levi Stubbs' tears on the way in this morning. And then this timely little ditty dropped into my inbox.

Mixing pop and politics, I wonder what the use is...

Filed under  //   Billy Bragg   The Sun   music  

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Earworms at Street Anatomy

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Lovely little campaign from Y&R to promote some classic Penguin audio book 'earworms'

Filed under  //   Penguin   advertising  

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Go the F**k to Sleep - read by Samuel L. Jackson. For parents everywhere

What a fantastic match. Not only is the book getting heaps of publicity everywhere, but getting Samuel L Jackson to read it, is just genius.

Filed under  //   Samuel L Jackson  

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Sad Old Bastards With Guitars YouTube cut-up - Terence Blacker (via @sophierc)

Nicely put together stuff. Top work Terence Blacker.

Filed under  //   music  

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